Featured Alumni

A Theatre degree from UMBC can lead to a number of diverse career paths.

UMBC Theatre graduates become successful working actors and designers at professional theatres across the country, as well in TV/Film. Graduates have started their own theatre companies, received prestigious awards and grants, become professors at universities, produced their own films, and more.

Our graduates wanting to continue their theatre training have gone on to study at various institutions including University of Maryland, College Park, Towson University, Texas Tech University, Cincinnati Conservatory of Music, University of San Diego, University of Iowa, Mary Baldwin University, New York University, University of North Carolina, Chapel Hill, California Institute of the Arts, University of Indiana, Yale, and the list continues to grow!

Alumni Spotlights

Tommy Malek, BA Theatre, Theatre Studies (’13)

Tommy Malek is an award-winning theatre & film professional based out of Columbia, MD who specializes in the crafts of directing, acting, and design (wig & costume). Tommy proudly served as the Artistic Director of both The Maryland Theatre Collective [originally the purple light theatre company] from 2012 to 2024 and Silhouette Stages from 2017 to 2019, and has served as the resident wig designer at Classic Theatre of Maryland in Annapolis since 2021. Recent directing/choreography credits include The 25th Annual Putnam County Spelling Bee with Compass Rose Theater (nominated for seven 2025 Helen Hayes Awards including “Outstanding Director of a Musical” and “Outstanding Costume Design”), Spring Awakening, Agnes of God, RENT, and Little Women the Broadway Musical with The Maryland Theatre Collective, 9 to 5 the Musical with Annapolis Summer Garden Theatre, and Mel Brooks’ Young Frankenstein with Silhouette Stages. Recent/favorite acting credits include “Marvin” in Falsettos and “Tateh” in Ragtime the Musical: In Concert with Maryland Theatre Collective, “Man 3” in Putting It Together with Colonial Players (WATCH Award win for Outstanding Featured Actor in a Musical), “Emcee” in Cabaret with Silhouette Stages (WATCH Award win for Outstanding Lead Actor in a Musical), and “Benny/Iona” in Del Shores’ Southern Baptist Sissies with Spotlighters Theatre. Currently, Tommy is playing “Mordcha the Innkeeper” (as well as understudying Tevye & Lazar Wolf) in Fiddler on the Roof with The Dutch Apple Dinner Theatre in Lancaster, PA, and after that, will be traveling to Princeton, IL to star as “Edna Turnblad” in Hairspray with Festival 56 this summer!

“Training with the Department of Theatre at UMBC laid an invaluable foundation for my professional life which still carries me through to this day. The program, led by its top-notch faculty and staff, instilled in me a strong sense of self as an artist, an exquisite technique in the craft of acting, and the abilities to explore, research, & keenly refine my work. I had the great fortune to witness and learn from some of the very best directors I’ve worked with to this day, and continue to utilize what they taught me now as a professional director and actor myself. The great Eve Muson’s frequent instruction “don’t pretend to do it—REALLY do it!” proved to be not only terrific guidance in acting, but words to recall and live by in every facet of one’s professional life. I am forever grateful to UMBC’s theatre program for all it has given me, and I will be a proud Retriever for life!”

Lloyd-Marcus Ekpe, BFA Acting (’20)

Lloyd is an actor, musician and teaching artist working in the DMV. He is currently a Company member at Chesapeake Shakespeare Company (CSC) and a member of their Black Classical Acting Ensemble (BCAE).

After graduating, Lloyd initially found some work on camera in a few student films – theater was greatly affected by Covid-19 so he turned his attention to commercials and short films. He would eventually star in F^¢k ‘Em R!ght B@¢k by Harris Doran which premiered at the Sundance Film Festival. The film was nominated for Best Short Film 2022 Grand Jury Prize and won several film festival awards. He was cast as Joseph Asagai in CSC’s 2021 production of A Raisin in the Sun, which led to a Helen Hayes recommended production of Keith Powell’s Sophisticated New Ones. His relationship at CSC would blossom to starring in the BCAE’s all Black production of Macbeth (matinee and a “remount” at Ellicott City), The Oresteia, Romeo & Juliet 1975, and the upcoming Mary Stuart (Spring 2025).

“UMBC was instrumental in getting me to where I am now in my career. I fondly remember Eve Muson’s words to me ‘slow down-stand up straight’. I also reminisce about the roles I got to play at UMBC; they were usually against my “type” and I know now that the challenge was to expand my skillset. I am most grateful to Gerrad Alex Taylor, Eric Abele, Temple Crocker, Lynn Watson, Chelsea Pace and the faculty who genuinely saw me and encouraged me on this journey.”

The UMBC theater department is all over the DMV…seriously! And that is thanks in part to the individual artist’s ingenuity, talent and skill but also to the professors who began fostering connections with industry professionals early. I remember auditioning for Noah Himmelstein (Associate Artistic Director of Everyman Theater), and attending a seminar by Vincent Lancisi (Founding Artistic Director of Everyman Theater) for Eric’s Capstone class.

I felt very taken care of at UMBC and I fondly recommend our Theatre program to anyone who asks.”

Kaydin Hamby, BA Theatre, Design & Production (’19)

Four years of far-flung freelancing after graduation, Kaydin landed back home in rural Maryland with as much time spent working as a full time artist as he had spent at UMBC. His resume was strange and varied. From sound designing Shakespeare on California cliffs, to writing music while bartering with goat farmers, Kaydin’s dedication to the craft he learned at UMBC was a constant undercurrent to his artistic endeavors. Professor Adam Mendelson’s words constantly echoed in Kaydin’s head: “follow your signal path,” a platitude of troubleshooting advice for audio engineers that doubles as a mantra. One must “follow your signal path” within.

Kaydin’s work came to a halt when multiple health concerns coalesced and asked him to come home and recover, his “signal path” rerouted. Physical therapy would need to be tended to every day for at least a year, which coincided with the choice to base himself in Frederick in both his career and personal life. The Maryland Ensemble Theatre had been an artistic home to Kaydin since early days of his freelance career, and the Weinberg Center for the Arts was hiring stage technicians to work shows at both the Weinberg and New Spire Arts. These three theatres occupy a single block of Patrick street in the heart of Downtown Frederick. Kaydin’s integration into the Frederick’s arts and entertainment district has proven mutually beneficial. “I fulfill an important niche of the artistic ecosystem here, and I’m really proud to say that what I learned at UMBC informs my artistic and technical work every day. I can fall back on my instincts knowing that they are coming from my education and I can trust them,” Kaydin says about his work downtown.

Kaydin Hamby is company member at the Maryland Ensemble Theatre. Past MET credits include Sense and Sensibility, The Three Swingin’ Little Pigs, Angels in America Parts 1 & 2, Revolutionists, Meteor Shower, Admissions, Circle Mirror Transformation (Sound Designer), Head Over Heels (Guitar 1), Christmas Carol, The Tempest (Audio Engineer). Kaydin is the musical director of MET Comedy Night’s “Off Key: An Improvised Musical” where he provides guitar accompaniment for a group of improv performers (and a drummer!) to sing along to, which Kaydin describes as “basically the improv version of sound design.” His work as a stage technician and audio engineer at the Weinberg and New Spire Arts is ever-changing and demands close attention to detail. Kaydin knows that “a piece of genius forethought during load-in might save the show later that evening.” Kaydin can be heard around town with his guitar, writing his own music, practicing for Off Key, coming up with ideas for sound designs, or just taking a break from the noise.

To learn more about Kaydin and listen to samples of his work, go to KaydinHamby.com.

Renata Taylor-Smith, BA Theatre, Design & Production (’24)

Renata Taylor-Smith is a recent graduate of the University of Maryland Baltimore County, where she received a B.A. in Theatre Design and Production. Renata is a freelance lighting designer, programmer, and theater electrician. Her recent credits include Lipstick: A Queer Farce (Fells Point Corner Theatre, Lighting Designer), Slime (University of Maryland Baltimore County, Associate Lighting Designer), and Ride the Cyclone (Assistant Lighting Designer). She is currently the Lighting/Electrics Fellow at Berkeley Repertory Theatre as part of their Next Generation Fellowship Program.

“After graduating I knew I wanted to pursue a fellowship because I felt that I still had a lot of growing to do as a designer, and I thought that receiving mentorship from seasoned lighting designers and master electricians would be an invaluable learning experience. I spent my senior year applying to theater apprenticeship and fellowship programs all over the country and was very ecstatic to receive an offer from Berkeley Repertory Theatre. I relocated to the Bay Area in August and have spent the last few weeks working under the mentorship of Berkeley Rep’s Lighting Supervisor Fred Geffken and assisting Lighting Designer Mextly Couzin on Mexodus, a live-looping hip hop musical. Through the fellowship I’ll have the opportunity to be the assistant lighting designer for the theater’s mainstage shows and work with lighting designers from all over the country.

The training and learning I did at UMBC gave me a strong foundation for the work I am doing at Berkeley Rep. UMBC’s theatre department was so important to my growth as an artist and as an individual. It was through UMBC that I discovered my interest in lighting design and had the opportunity to explore different areas of lighting. Taking Adam Mendelson’s lighting design courses and assisting him on shows both inside and outside UMBC, working at the scene shop, and having the opportunity to design UMBC productions were all experiences that prepared me for working at a professional regional theatre and taught me to be confident in my voice and my abilities. I am forever grateful for the opportunity to work at Berkeley Repertory Theatre and I would not have been able to get here without the people I met and learning I did at UMBC.”

Sanjana Taskar, BFA Acting (’19)

Sanjana Taskar (’19) is currently in her last year of her MFA in Acting program at UNC Chapel Hill and will graduate in May. For the past three years, she has been a Resident Company Member with PlayMakers Repertory, one of North Carolina’s premier and professional theatre companies on the East Coast.

Sanjana credits the UMBC Theatre department and its outstanding faculty as a cornerstone of why she wanted to continue her education in honing the craft of acting. Her cumulative experience at UMBC gave her the skills in approaching her graduate classwork with a sense of play and curiousity – and she lovingly carries the words of advice of all her undergrad professors as she embarks on each project.

Sanjana’s last show in grad school was the world premiere of Bekah Brunstetter’s (NBC’s This Is Us; Broadway’s The Notebook) The Game – a comedy about a woman’s journey in navigating her misgivings about marriage, friendships, and video games. Sanjana plans to move to New York City – but hopes to return to the DMV often to continue to work in its vibrant theatre scene.

Learn more about Sanjana’s work on her website: www.sanjana-taskar.com

Katie Kopajtic, BFA Acting (’11)

Katie Kopajtic (she/her) is a writer, actor, and producer, having brought about a series of works in the past decade with her production company Tres Brujas Productions, which she runs with her wife, Monica. Recently Katie has been touring her solo show Modern Witches, described as “like Fleabag and Sylvia Federici got really into [Virginia] Woolf” which had a successful run at the 2023 Edinburgh Fringe Festival and is slated for a three week run this spring in New York City. Both audiences and reviewers have lauded Modern Witches, calling it “wildly imaginative” and “thoroughly and lovingly researched,” among other praise.

In addition to continuing work on Modern Witches, Katie is in post production with her feature documentary Heritage Fantasy, which tackles themes of identity, self-doubt, and the struggle to find self-worth as an artist outside the success metrics determined by a capitalist market.

Her fiction and nonfiction stories and essays have been published by Variant Literature, Cream City Review, Catapult, Electric Literature and more. She is currently employed as a narrative designer for a web3 science fantasy gaming project, in addition to teaching youth improv and working as a freelance editor.

“My UMBC theatre degree gave me the tools to be a great actor, but beyond that a deeper understanding of how to tell a great story using any medium. This has to do with how UMBC teaches theatre; no matter the specific role you are studying, you are first and foremost a storyteller, and you have a responsibility to bring your best work to the table. Holding myself to that standard has been an asset through the many variations in my artistic career, both as an individual artist and as a collaborator. 

My advice to anyone graduating is: marry rich be patient with yourself. The feeling of success is not constant. Sometimes you are coasting on a strong current, but most of the time you are treading water. Learn to embrace every element of the artistic process: the bitter taste of rejection, the euphoria of a rehearsal breakthrough. Follow curiosity. Be a good theatre citizen: see shows, read new plays, cheer on your peers. It sucks to feel alone but you are never alone. It will all be okay!”

To check out Katie’s work, visit her website: www.katiekopajtic.com

Jalon Payton, BA Theatre, Theatre Studies (’21)

Jalon Payton currently works as a freelance stage manager mainly based in the Baltimore/DC area. Towards the end of his time as a student at UMBC, he began working as a stage manager for play readings and workshops with Roundhouse Theatre & Taffety Punk Theatre in DC. Following these workshops, he made his debut at Baltimore Center Stage for the first show of their 2021/22 Season, The Swindlers: A Tru-ish Tall Tale, as a Production Assistant. His recent area credits include 10 Seconds (Imagination Stage, Stage Manager), Is Edward Snowden Single? (Single Carrot Theatre, Stage Manager); The Folks at Home (Baltimore Center Stage – world premiere, Production Assistant); Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery (Everyman Theatre, Assistant Stage Manager), The High Ground (Arena Stage – world premiere, Assistant Stage Manager). Jalon has experience working out of town as an Assistant Stage Manager at American Players Theatre in Spring Green, Wisconsin for 2 summer seasons (The Brothers Size, A Raisin in the Sun, The Royale, and Anton’s Shorts). In Fall 2023, Jalon will be returning to Arena Stage as an Assistant Stage Manager for the east coast premiere of the new musical, Swept Away.

Jalon was able to create a stable foundation out of his passion and drive for stage management at UMBC, thanks in part to his Stage Management Professor at the time: Samantha Paradis.

“My connection with Baltimore Center Stage began because Sam passed them my information for a position in the spring of 2020. While the show I was supposed to work on was postponed, the connection I had established with them was not forgotten. It led to my first PA position, which then opened up a lot of opportunities for me. Recently, Sam was able to visit APT to see The Royale, and it’s a great feeling when your mentor gets to witness your professional work. It’s been really good getting to have conversations with Professors Eve Muson, Susan McCully, and Susan Stroupe (to name just a few) about what I’ve been up to since graduating when I periodically visit UMBC.  Watching friends who were my classmates continue to do new and exciting projects post college has been really inspiring to watch from afar.”

You can keep up with Jalon by following him on Instagram, or learn more at his website.

Anderson Wells (aka Vagenesis), BFA Acting (’13)

Anderson Wells has been working as a performer, producer, teacher, and administrator in the DC theatre scene since 2013. They have worked with Arena Stage, Arts on the Horizon, Brave Spirits Theatre, Encore Stage and Studio, The Hub, The Klunch, Pinky Swear Productions, Rep Stage, Silver Spring Stage, Solas Nua, Studio Acting Conservatory, Studio Theatre, Treehouse for Creative Kids, and The Welders. Currently, they are the Managing Director for Constellation Theatre Company, and Founding Artistic Director of Highball Productions. Anderson also performs across the country as their drag persona, Vagenesis and has won multiple titles including becoming the first ever National Bearded Empress.

“I always knew I wanted to be a performer. My time at UMBC gave me the space, tools, instructors, and community to focus and strengthen my skills as a performer. Along the way I was surprised to find that I had picked up skills that gave me a kind of theatre business savvy. I learned how to market the performance skills I’d gained and make myself desirable as an artistic collaborator. As I worked my way through the DC theatre scene, I was exposed to new and exciting forms of art and started to find new skills like teaching, directing, poetry, and drag.

Vagenesis and all of her success are absolutely a product of the acting training I received at UMBC. I infuse my understanding of character, beats, structure, and storytelling with every lipsync performance. I’ve even built my own theatre company centered around combining acting and drag. I never expected this to be the path I would take, but I am so grateful for it.

The best advice I could provide to any aspiring actor, performer, or artist – especially if you are fortunate enough to study at UMBC – is to allow the art to work through you. You can’t force it to happen. Take your training and strengthen your body and mind and allow yourself to be a vessel for whatever you are meant to do. And never take yourself too seriously – theatre should be FUN!”

Learn more about Vagenesis and Anderson here .

Caroline Tyson, BA Theatre, Design & Production (’20)

“After graduating in 2020 and spending a year away from theatre due to the pandemic, in 2021 I moved to NYC to work as an assistant costume designer for opera, drama, and dance at The Juilliard School as part of their Professional Apprentice Program. After my season at Juilliard, I was a freelance design assistant at several regional and off-broadway theatres before starting my MFA in Costume Design at the David Geffen School of Drama at Yale.

While my first year at Yale has certainly been challenging, it’s also been incredibly rewarding, and I feel that my time at UMBC thoroughly prepared me for both graduate school and the professional world. As a student I loved UMBC’s emphasis on professionalism in and outside of the classroom; my experience working on shows like Girls on a Dirt Pile and Gwyneth in conjunction with my classes helped teach me how to be a successful working designer. They also sparked a love for developing new work that has carried over into my career, including being the associate costume designer for At the Wedding, a new play that premiered at Lincoln Center Theater last year.

I received an excellent design education at UMBC, but non-design classes unique to UMBC such as Mods with Susan Stroupe and Capstone with Eric Abele have also been instrumental in helping me build a career, succeed in graduate school, and figure out what kind of theatre artist I want to be. Capstone especially is a class that I benefit from every single day, and my biggest piece of advice to current students would be to really invest in using the resources provided in that class to set yourself up for success after graduation. Even though I graduated into a very uncertain world, Capstone gave me a path to make a way for myself once theatres reopened, and encouraged me to put a lot of thought into who I am and who I want to be not only as an artist and collaborator, but also as a human being.”

Learn more about Caroline and her costume design work at carolinetyson.com.

Hannah Kelly, BFA Acting (’17)

Hannah is currently a Resident Company Member at Everyman Theatre in Baltimore, MD. Her credits at Everyman include: Harvey (upcoming), The Lion in Winter, Sense and Sensibility, Behold, A Negress, The Skin of Our Teeth, Agatha Christie’s Murder on the Orient Express, Everything is Wonderful, and The Book of Joseph. She has also performed at Chesapeake Shakespeare Company: Dracula, The Diary of Anne Frank, and Charm City Fringe Festival: Proxy.

“Since graduating from UMBC I have been fortunate enough to become a company member at Everyman Theatre in Baltimore. This has been such an amazing experience because it offers a sense of stability for work and a feeling of home that is not common in this career. I get to perform consistently while also being challenged by new and exciting roles.

I’m so grateful for my time at UMBC and I feel like the professional atmosphere of the rehearsal and performance process really gave me the foundation for entering into the world of professional theatre.

My advice to anyone graduating and entering the professional world is to always keep learning and make it your own journey. Learn from the people in the room with you, soak up any and all advice, and then use that to create the career that you want, not the career you think you should want.

This is such a demanding, fun, fulfilling, and exciting career. It can be overwhelming, but it’s worth it.”

Learn more about Hannah and Everyman Theatre at Everymantheatre.org.